Eigenfunction of the attack of the idea
in the musical force-fields
Universal synthesis of the attack of the idea
in the musical process of creating – 7.3.4.12.00

•  in the musical harmony-space
•  in the musical sequence-space
•  in the musical motif-space
•  in the musical tone-space
•  in the acoustic space

SEMINAR

   7.3.4.12.01
Eigenfunction of the attack of the idea at the transition from the force-field
of our self-awareness to the force-field of our intellect

   7.3.4.12.02
Eigenfunction of the attack of the idea at the transition from the force-field
of our intellect to the force-field of the musical harmony-space

   7.3.4.12.03
Eigenfunction of the attack of the idea at the transition from the force-field
of the musical harmony-space to the force-field of our feeling

   7.3.4.12.04
Eigenfunction of the attack of the idea at the transition from the force-field
of our feeling to the force-field of the musical sequence-space

   7.3.4.12.05
Eigenfunction of the attack of the idea at the transition from the force-field
of the musical sequence-space to the force-field of our understanding

   7.3.4.12.06
Eigenfunction of the attack of the idea at the transition from the force-field
of our understanding to the force-field of the musical motif-space

   7.3.4.12.07
Eigenfunction of the attack of the idea at the transition from the force-field
of the musical motif-space to the force-field of our hearing

   7.3.4.12.08
Eigenfunction of the attack of the idea at the transition from the force-field
of our hearing to the force-field of the musical sound-space

   7.3.4.12.09
Eigenfunction of the attack of the idea at the transition from the force-field
of the musical sound-space to the field of our inner voice

   7.3.4.12.10
Eigenfunction of the attack of the idea at the transition from the field
of our inner voice to the force-field of our mind

   7.3.4.12.11
Eigenfunction of the attack of the idea at the transition from the force-field
of our mind to the field of our neurophysiology

7.3.4.12.12 Eigenfunction of the attack of the idea at the transition from
the field of our neurophysiology to the force-field of the acoustic space